i write
broken things
half-empty scattered bits that
cling to each other in desperation
i trail behind them
gathering
catching pieces on my tongue and
spitting them out before they can
d i s i n t e g r a t e
quietly recycling and
doing my part to save the planet
the way your hand rests on my hips,
grips my waist, possessiveness
embodied in your fingertips
pull me close
and kiss my lips
hold me near - call me dear
whisper, 'love you' in my ear
the way you taste
how your arms feel
how every day seems near unreal
I could never want for better love,
never complain I never got
everything I've ever dreamed of
the thought of what tommorows brings -
full of bigger, better things
all the brighter for your smile,
by my side, mile for mile
i'm not the girl i used to be
because you've become a part of me
you're my countermelody.
i relearned how to speak today
another way
that is, to say -
speaking
without spoken words
a language that is seen
not heard
i learned a glance can be a book
a novel
written with a look
an article of truth expressed
with furrowed brows
and indrawn breath
i wish to speak it all the time
to say this way
the things that weigh
upon my mind
only,
no one else will speak with me
the way I think
that words should be...
i could talk to you in ways
that bypass
all i have to say
but all that i can do is wait
and look you in the eyes.
Master of Ravens
1
My little brother is nine years old the first time I decide to kill him.
During the night, snow fell over the jagged wreckage of our land. In the morning I realize he will follow me outside if I call to him. Like an awkward-limbed colt he'll stumble through the snowdrifts, and I can leave him to the ice and wind in the shadow of a three-walled building. No one will see me. Our father will think he has gotten lost on his own. I too will cry when they find his body. When the mourning is done, however, I will be my father's true and only son. 'Cam,' he will call to me, and I'll kneel down before him.
My father. Master of
In the early hours, when he is still asleep, she begins counting the tiny black and white tiles plastered to the ceiling of their flat. Some are chipped, some are covered by a layer of dust, and some are not tiles at all, but cockroaches in disguise. By 143 he has stretched his arms and kissed her neck, by 206 he has tied his shoes and lit a cigarette, and by 262 he's always gone. She knows that the smell of coffee will dissipate by 329 and that if she can bother getting out of bed to call her worried mom for once, or even just go to the damn bathroom, he will be back by 2338.
If she counts slowly.
--
Sometimes, late at night, when she has
"You said you wanted the reverse stripped out of you,
and that's all I left you with."
V. Kingston Upon Thames
How do fancy it? And do you fancy it at all?
Does it have geography and are we grey? Do we have
a time, do we have
a place?
(I am turning British corners and you are there,
middle-aged.)
I will hear our language drown in their heavy tongues. I
will search for their consonants in vain, and they will call
me foreign when I hit mine
too hard. I will search for you, middle-
aged.
We will not look like writers then. (We look like
hell; we look like
authors.) We will be worn dow
summer children, we were' by jonzoiplu, literature
Literature
summer children, we were'
ii.
we carved animals
from ivory castles
floating in the sun. we were
the doting spring mayflies
twisting upon meadows,
wreathing lilies between
toes, breathing --
iii.
between the sheets
of golden chaff,
she whispered, "let's dance in the rain
on the cobblestone streets
before the singing rosebud
mutes her swollen gown.'
:
past the shivering
moon we snuck
with shadows tucked
into dreams. we were
waltzing toy soldiers,
our peace-broken holster